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With her recent albums "Computer Control" the artist Jessica D-Zera from Berlin takes minimal, retro-electro dance tracks to the next level. On 10 tracks with the whole length of 46min. she shows that minimalism has nothing to do with reductionism: The omission of expectable conventional parts of a piece of music is not conceived as a gap, but rather opens up new realms of experience. In this way the (speaking) voice may not seem necessary, giving the melodic complement to rest of the piece, having it become an independent rhythmic part of the whole song. The production of spherical sounds does not serve the mere amusement to be conducive to the dance floor.Song titles are literally in acoustic Experienceability translated sites (Berlin) or human relations (collage-in-I, myself) are expressed via the multifunctional design of spherical Sounds of - floating rhythms that make the hurriedness of driving in the capital or to imagine appearing monotonous guitar riffs that in the context the piece can connote an unmasking of the myth of progress. Also discussed is the computer machine itself as a "killing machine", as the experience of the dark (Mark 13). Through selected sounds Jessica D-Zera taught the use of computers as an expression of vitality. |
Each CD costs only 10 U.S. dollar and 1 € per CD sold going to support the project as a Share - Healing by Sharing
